Going to Water

"Going to Water" refers to the Cherokee tradition of the same name, journeying through the stages of preparation, immersion and rejuvenation. One of the most rebellious and spiritually significant elements is water. It goes its' own way, makes its' own meandering path and eventually prevails over all other substances.

Going to Water also references the idea of becoming like water and participating in the gentle, quotidian rebellion of being oneself despite surrounding obstacles. The piece speaks to the continuance of cultural traditions and the maintenance of an a southeastern Native identity despite the policies of the US government. It tells of the freedom that comes from following the way of water.

Audience Response

The Dancer
by Josephine Acquirre
(Composed in response to a performance of Going to Water)

She danced with the splendor of an exotic butterfly.
Movements so deliberate in grace and in flight.
Chasing excitement with every expression on her face.
Her hands command the Earth to hold its breath.
Her body launches from the stag as the butterfly glides from one daffodil to another for its honey.
The music must go on, the rhythm must not stop.
This pleasure is ours alone.

Credits

BY

Artistic Director: Maura García (non-enrolled Cherokee/Mattamuskeet)

AND

Costume: Maura García

Music: "Gymnopedies I" by Eric Satie for piano and played by Michael Silverman,"Gymnopedies I" composed by Eric Satie arranged by Claude Debussy and performed by the Stuttgart Chamber Orchestra conducted by Dennis Russel Davis, "Reggae Got Soul" written and performed by Jimmy Cliff

DEVELOPMENT & PRODUCTION SUPPORT

Jewish Community Center of Greater Kansas City, Rhythmically Speaking Dance, InterUrban ArtHouse